Quote:
Originally Posted by M GO BLUE!!!
That was cool.
I was reading how his first LP was screwed up so bad by the company (pressed sped up) and they wouldn't repress it, so to get out of his deal he had to give up 20% of his music rights on everything recorded from 72-85. Talk about getting screwed...
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I've wondered why everything on that album sounds much faster than it feels like it should.